Category Archives: Writing

Thoughts about writing.

The Corn

It was a cold, bright day in harvest season when I met him, and I am still unsure if it was a dream. I woke and do not remember dressing. I was in my parents’ house, and I was late rising. The sun was already crowding in through the windows, through the rippled glass of the internal doors. The smell of coffee filled the kitchen; someone had left a jug to fill in the filter percolator and I took the opportunity to have a cup. It tasted of warm toast and hazelnuts in Winter.

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A Dose of the Mondays

“Don’t talk to me before I’ve had my coffee!!” I yell, a ghoulishly cheery shriek. My colleague recoils, spittle flecking their glasses. I grab the pot of freshly-brewed coffee I keep on my desk by its slender glass throat. My bare hand on the red hot glass starts to blister. Shaking, I bring the pot to the cup. My colleague is wide-eyed, staring at my hand. It trembles violently, but I do. Not. Spill. A. Drop.

The liquid that pours out is slow, and tarry, treacle-thick. I see it cascade in slow-motion into my cup (my cup also says DON’T TALK TO ME BEFORE I’VE HAD MY COFFEE!! Because my cup understands me better than my colleague). I cough, a barking act of violence, directly at my now quivering colleague, who hides behind the slim bundle of notes they had brought for my attention. I stare into the space their eyes would be, if they dared to look at me.

The pain in my hand is nothing now, it is ice at the heart of a star. I drop the pot, it lands with a nervous clunk on my desk but does not shatter, it would not dare. I take the cup, and finally I may taste what I have waited for, for so long. It coats me, from the inside out, in warmth and comfort, in an electric sense of myself. My mouth opens again, this time to speak. Words pour from my soul.

“Mondays, am I right?”

Uprising

The restless drag and catch of a fountain pen over coarse, unbleached paper was unbearably loud in the loft room after curfew. Jamie Lam bit his lip and said nothing, staring out of the scratched, fogged windows over a quiescent Hong Kong. The streets below, heaving and pulsing with life during the day, were empty except for the occasional Patrol; lumbering one-person suits just over ten feet tall that swept a constant AFR beam ahead of them.

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A South Bank Story.

Now crunching wheels grind the concrete
Metal bones groan
The blasting surge of the Thames
Heard in silence.

And he, pausing,
an old man now
(by the standards of these things),
Stops and breathes.

He holds, not proudly,
The board he once rode.
One of many; a few shattered
And spilled him aslant on the slopes.

He is a phrase-book
Brought through time
To translate the thoughts of those
He knew here.

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The Glass Doors

I remember my Grandmother’s cabinet. Glass-fronted, each panel etched with a complex pattern of flowers and leaves that never quite seemed to match your memory. I had favourite knot-whorls in the surface of my Grandmother’s table, I had the grain of the brushstrokes in the paint on the walls of her bathroom memorised, but I could never quite get the patterns on the cabinet fixed. I should have had a favourite flower, or known a leaf that looked like a dog. But it went through my head, like trying to catch sunlight in a sieve.

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