On English-ish

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This actually is because I read a Cracked article about why English makes no sense, and the comments berating it as ugly and broken, difficult and clumsy.

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Silencer

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A lost parade
Drifts
Down a silent street
As empty houses,
Eyes bulging with damp-fattened wood,
Drink its drying whistles.

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A Safe Place

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London, potbound, winds its roots deeper into the clay soil of its basin and pushes upwards, questing for sunlight above its flyblown glass canopy. Fox Tower was one of three (Winslow and Pastor were its siblings), as rooted in the ground as it was possible to be with 22 floors sprouting from its grim, piss-soaked core. The stench of everything clung to it, a feast of human waste fertilising its foundations as, inside, people lived through a thousand lives every minute.

It was not the sort of place Michael would choose to live in. His life had been lived in nicer parts of London, save for his time at university in Staffordshire. He would not even visit somewhere like Fox Tower, given the option, but the option was not there. Pettigrew, his dog, had slipped the leash and made a run for the front entrance, flying past the barely there front door into the slate grey darkness inside.

Fox House reared into the flat sky above him, encircled by a sparse vortex of dry, joyless snowflakes. Every floor was wrapped in balconies, and every balcony was a riot of bric-a-brac; broken bicycles, hard plastic rocking horses, laundry airers, half-inflated plastic footballs. They were not used to admire the view, even if there was anything worth seeing. Michael wondered if Pettigrew was even now sniffing at the doors to those flats, and how far up she might have got. ‘Petty?’ he called, tentatively. ‘Petty! Here girl, back here!’ It was pointless – he was going to have to go in.

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Birthday Wishes

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Will the NHS be there for you?
It always was for me
(though my Mum took care of minor things,
Headaches or scraped-up knees).

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Eye Level

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We are crawling over rooftops
Sliding around aircon cans
Flightless beasts.

We drift with the low cloud
Skimming fingertips across gravelled roofs
Eyes fixed on the floor.

We are the thunderstorm, brewed
And stewed like tea
Too strong in a pot.

We are crickets, buzzing chirping
Singing in the grass
Of quiet greens.

We are floodwaters burst
Snowmelt swamping, stomping
Waves through streets.

You’re Doing It Wrong

Russell T Davies, David Haig, Mina Anwar, Toby Longworth
Russell T Davies, David Haig, Mina Anwar, Toby Longworth

The Wright Way is undeniably a special thing. The reaction to it has been off-the-chart vicious; it’s like the hysterical woman in Airplane!, with every corner of the media lining up to take a bash at it, and, at first glance, that would seem about right. The mugging, the pauses for punchlines to fit into, the generic theme music, the middle-aged-manliness of it all. But look again and it’s possible we’re missing something. Something good. For I come here not to bury The Wright Way, but to praise it.

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Links

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This concludes the NaPoWriMo experiment.

Gentle sunlight
Spills dusty down
Across the mottled strand.
Beach combers
Lost by the river
Gingerly pick
Along the glistening mud.
I watch them pad
Barefoot,
The tide of the Thames
Nipping coldly at their heels,
Through migraine green
Glass, partitioned
From the outside.
From somewhere else
The over-powering hum
And barbarous clank
Of a printer comes
Hewlett-Packard beige
To bring me my prize
Of information broken
Down by month
By sector
Bisected
By and ugly grey streak,
Imperfections in the machine.
They find something
Out there on the shore
Of this inland sea
That is still a river,
Salty and dense.
Stooped to pick
Treasure from the black sand,
Held aloft
It is just a pebble
Its smooth darkness
Cut
By a sparkling grey streak
Imperfections in the world.
I fold in my hands the paper
And feel its smooth
Distant
Water-worn surface
Against my fingertips.

Life, blood

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As an aside, I should say that this poem isn’t exactly truthful. I actually do love this city. In fact I don’t really like this poem, it’s clumsy and somewhat juvenile, but I wrote it and sometimes you have to live with the misfires, and the untruths.

This city has a filthy heart
(This city,
And any city
And all cities)
I do not love its arteries
Clogged with cars
Cholesterol choked
Smog-gloomed paths
To cold extremities
It rushes with blood
We carry oxygen
From its breathing spaces
We carry light from its towers
Cones piercing the clouds
To see the world.
I do not love this city
(This city
And any city
And all cities)
I love her
And she brought me here
To breathe for the city.

Hammer

Rotten fence

I stand in my garden
Hammer raised
Every strike
Rains dry, rotten wood
Dust and mould
And fat black spiders
That stumble groggily
Determinedly
From the next blow.

The sun beats, in turn,
On my back
My neck slowly reddens
Like an apple ripening
To blisters.
The birds watch
As I dance in the garden
In my space
Shattering wood
Like silence.

Café culture

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Café society spills
Uncomfortably onto England’s
Sun-sodden streets
Pavements tangled with feet
Bags, unneeded coats
Flung on shoulders
In an ecstasy of indecision
By the open door.

Cats, not feral
Not yet, but wild in the heat
Prowl these open buffets
And dogs, too,
Winding through legs
Ready to eat
Taking up scraps
Given without fight.

Women, shoulders bare
Hair loose
Sit by men reclining
In t-shirts unaccustomed
To the open air
Wardrobe ballast
Worn brazen to meet
At these metal tables.

Eyes squint
Shaded by hand
Or masked to light
With sunglasses, the logo
Of some smarter brand
A cheap tattoo
On their brittle arms.

All unselfconscious beauty
Burnished by sunlight
Come to sip at coffees
And argue over nothing
As if it matters
Everything matters,
Of course it does,
Until the cup empties.

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